Stanley Kubrick’s award-winning film, Full Metal Jacket, portrayed the lives of young men as they were heavily conditioned for war–specifically, the Vietnam War. The movie follows the journey of a single squad of marines who went through hell and back during their training at boot camp to prepare for the worst. One of the main concepts illustrated throughout the motion picture revolved around the idea of deindividuation–the act of erasing an individual’s identity and replacing it with a state/group identity. A prime example of such a concept is depicted in the opening scene of the film.
Before we are presented with any footage, the film floods our senses with Johnny Wright’s “Hello Vietnam.”Though the tropical melody gives us that longing taste for a much-needed vacation, after a couple seconds we are introduced to a legion of men sitting in the foreground of the scene as barbers shave their heads. The men are all silent, sitting still as the barbers have their way with their hair. The look in their eyes is vague and expressionless towards their predicament. It is as if they are resigned to their predicament and know they have no other choice but to join the war. The scene never really settles on one person’s “haircut;” rather, it jumps every few seconds to introduce a new member of the squadron. The fact that all the men are receiving the same military crew-cut furthers their collective identity as a whole group of soldiers rather than a group of individuals.
As the music comes to a close, the high-angled closing shot of the overall scene shows all the hair piled upon one another on the ground surrounding the barber’s feet. This particular mis-en-scene is meant to further characterize the concept of deindividuation. Just as there is so much hair on the floor and there is no ability to decipher whose hair is whose, the same can be said for soldiers of war. It is a sad truth of reality but it is the truth and this was the reality and this particular scene in Kubrick’s Full Metal Jacket is meant to show just that: the reality.